collaboration; however, despite the creative atmosphere, the theater school was rooted in tradition, adhering to the classical approach to drama with a focus on crisis, climax, and resolution.
Rushkoff, influenced by the experimental theater of the 1970s and 1980s (i.e. Happenings, Fluxus), had a different perspective on theater. Rushkoff believed in blurring the line between performer and audience, and questioned the traditional theater model, which he viewed as imposing a sense of inevitability and confirming established order. He saw this as cultural propaganda, creating problems in the first act and solving them in the last.
In addition to his dissatisfaction with the traditional theater model, Rushkoff was troubled by the high cost of theater productions. After attending a performance of Brecht's Threepenny Opera at the Ahmanson Theatre in 1989, and noticing the high cost of the least expensive ticket, he decide to leave the theater behind in favor of the Internet. He believed that interactivity and digital …
介绍+详细信息
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