Western painter Frederic Remington (Yale 1900) was an artist whose heroes gloried in the combat and tests of strength in the Wild West. The fictional, turn-of-the-20th-century Yale man Frank Merriwell embodied this same heroic ideal without racial prejudice, and his fictional successor Dink Stover in the novel Stover at Yale (1912) questioned the business mentality that had become prevalent at the school. Increasingly students turned to athletic stars as their heroes, especially since winning the big game became the goal of the student body, the alumni, and the team itself.
Along with Harvard and Princeton, Yale students rejected British concepts about 'amateurism' and constructed athletic programs that were uniquely American. The Harvard–Yale football rivalry began in 1875. Between 1892, when Harvard and Yale met in one of the first intercollegiate debates, and in 1909 (year of the first Triangular Debate of Harvard/Yale/Princeton) the rhetoric, symbolism, and metaphors used in athletics were used to frame …
